Showing 50 items matching urban art
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Women's Art Register
Book, Harper Collins, Confessions of The Guerilla Girls, 1995
... Urban Art... Art Political Art Urban Art Street Art activism posters ...An illustrated survey of the work of the Guerrilla Girls with interviews, an essay by Whitney Chadwick, and four pull-out postcards by the Guerrilla Girls.non-fictionAn illustrated survey of the work of the Guerrilla Girls with interviews, an essay by Whitney Chadwick, and four pull-out postcards by the Guerrilla Girls. feminist art, political art, urban art, street art, activism, posters -
Women's Art Register
Book, David Humphries et al, The Mural Manual. A guide to community murals in Australia, 1982
... urban art... urban art political art community arts Community Arts Network ...An illustrated survey of public mural projects during the 1970's and 1980's in metropolitan and regional communities including feminist, Trade Union, and Indigenous projects.non-fictionAn illustrated survey of public mural projects during the 1970's and 1980's in metropolitan and regional communities including feminist, Trade Union, and Indigenous projects.murals, trade unions, women's murals, indigenous, urban art, political art, community arts, community arts network, eve glen, carol ruff, sarah macnamarra, barbary o'brien, community arts board, geoff hogg, ann newmarch, merilyn fairskye, catriona moore -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Bowling Clubs, 1958
Various partiesReference, Research, InformationKHS OrderSubject file containing correspondence relating to the former Studley Park Bowling Club in Barry Street, Kew and its relocation to Yarra Bend Park. The file includes a photocopy of the letter by Nigel Lewis to the City of Kew, describing the historic importance of the Club (established c.1903) and the necessity of moving it before demolition. The file has information relating to the pavilion’s move and restoration as an art centre. [ KHS also holds the complete archives of the Auburn Heights Recreation Club (1904-98), the Kew Bowling Club (1880-1998) and the Kew Heights Sports Club (1998-2012). These are separate archives in Provenance Order].sports clubs - kew (vic.), studley park bowling club, urban conservation, heritage protectionsports clubs - kew (vic.), studley park bowling club, urban conservation, heritage protection -
Surrey Hills Historical Society Collection
Photograph, Norma Bull portrait
Norma Bull in a window of 'Medlow', 1920s Her brother (Ronald) Richard was a keen photographer and is believed to have taken the photographs of the family and in the grounds of 'Medlow'. Norma Catherine Bull (7 September 1906 – September 1980) was an Australian painter, printmaker and etcher best known for the paintings and sketches she made in Britain during World War II. Norma was the daughter of Richard Joseph Bull (1874-1927) and Catherine Grace Perrier (1884-1972). Her father was the Director of Bacteriology at Melbourne University. Richard and Catherine had 2 children. Norma was born in Hawthorn in 1906 and her brother Ronald Richard was born in Surrey Hills in 1912, where in 1911 Richard bought a property at 42 Warrigal Road, Surrey Hills developed by Colonel William Cairncross, known as ‘Willcyrus’ and renamed ‘Medlow’ by the Bulls. As a child, Norma was a high achiever both intellectually and artistically. She was educated at Fintona, where she matriculated as Dux of the School and winner of an exhibition in French. She won a scholarship to attend the University of Melbourne where she studied French, Zoology, Philosophy, English and History, leading to a Bachelor of Arts in 1929. Following this she studied painting and drawing at the National Gallery Art School for seven years. Whilst most of the students of the 1930s were inspired by Modernism, Norma followed more traditional styles and became known for her etchings and realistic depiction of urban scenes. Her work was strongly influenced by the conservative nature of the National Gallery Art School under Bernard Hall, and she remained a traditionalist all her life. In 1938, she was awarded the Sir John Longstaff Scholarship in Fine Art. This enabled her to travel to England to study at the Royal Academy in London. She arrived in April 1939 and after the outbreak of war, she worked as a volunteer at a First Aid Clearing Station and applied to become a war artist. In 1941, she was given a sketching permit by the War Artists Advisory Committee to record bomb damage in the Bristol area. In 1947, an exhibition of her 205 wartime works entitled “Two Hemispheres”, opened at Australia House in London. Many were acquired for major collections in England including the Victoria and Albert Museum, the Imperial War Museum and the Royal Collection. The “Two Hemispheres” exhibition toured Australia in 1948 and for over twelve months she followed Wirth’s Circus around the country, painting aspects of circus life. From then on she lived at Medlow’, From 1960 she was secretary of the Fellowship of Australian Artists. She was a finalist in the Archibald Prize on 2 occasions and is remembered through a biennial Art Prize, ‘The Norma Bull Portraiture Scholarship’ which is administered by The Victorian Artist’s Society. She continued to paint landscapes and seascapes in her traditionalist style. She had holiday homes at Anglesea and Bright. After she died in September 1980, 31 of her works were bequeathed to Bright Art Gallery. A black and white photograph of a lady holding a sun umbrella and sitting in a window frame.miss norma bull, medlow, house names, warrigal road, surrey hills, mr ronald richard bull -
Federation University Art Collection
Sculpture - Artwork, 'Urban' by Neale McSwain, 1986
Neale McSWAIN Neale McSwain was a student at the Ballarat College of Advanced Education (now Federation University) in 1986. The art acquisition prize for student work was awarded to Neale McSwain in 1986. This is the first time that the award was made for a sculpture. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tall, red, steel sculpture. art, artwork, neale mcswain, mcswain, sculpture, ballarat college of advanced education, alumni -
Federation University Art Collection
Printmaking - Lithograph (Limited Edition), Le Corbusier, 'Modulor' by Le Corbusier, 1956
Le Corbusier (or Charles-Édouard Jeanneret-Gris) (6 October 6, 1887 – August 27, 1965) Born Chaux-de-Fonds, Switzerland Studied at the local art school Began to study architecture in 1905 With Amedee Ozenfant founded the journal “L’Esprit Nouveau” in 1920 Became a French citizen in 1930 La Corbusier was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades, with his buildings constructed throughout Europe, India, and the Americas. (Wikipedia) The Modulor is an anthropometric scale of proportions devised by the Swiss-born French architect Le Corbusier (1887–1965). It was developed as a visual bridge between two incompatible scales, the imperial and the metric system. It is based on the height of a man with his arm raised. It was used as a system to set out a number of Le Corbusier's buildings and was later codified into two books. (wikipedia) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Limited edition lithograph after an original collage by Le Corbusier, probably executed in Mourlot Workshop. art, artwork, le corbusier, modular, mourlot workshop, lithograph, colour lithograph, printmaking -
Federation University Art Collection
Sculpture - Artwork, Donna Marcus, 'Melbourne' by Donna Marcus, 1999
Donna MARCUS (1960- ) Featuring instantly recognisable kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context. In 1981 Donna Marcus was awarded a Bachelor of Visual Arts from the Tasmanian School of Art, followed by A Master of Arts (Visual Arts) from the City Art Institute (University of New South Wales). In 2006 Donna Marcus received a PhD from Monash University in Melbourne, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Anodised aluminium sculptural pieces made from old cookware. The 'Cities' that Donna Marcus depicts in anodised aluminium reflect the artist's travel and history. These urban representations draw on memories from home and more particularly, the kitchen. art, artwork, donna marcus, sculpture, annodised aluminium -
Federation University Art Collection
Work on paper - Artwork - printmaking, Tony Irving, "The Old Kiosk, St. Kilda" by Tony Fraser, 1984
Tony IRVING (1939- ) Born England Arrived Australia 1942 Tony Irvings work is a snapshot of urban life. In the 1970s, he won the prestigious National Gallery of Victoria's John McCaughey Acquisitive Prize. The St Kilda Kiosk before it was destroyed by fire in 2003, and has since been restored by the state government because of its heritage significance.RealismAn blue etching and aquatint with the St Kilda Kiosk at the subject matter. The St Kilda Kiosk was destroyed by fire in 2003. Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, st kilda, churchill, printmaking, st kilda kiosk, tony irving -
Benalla Art Gallery
Painting, Clarice BECKETT, Spring morning, c. 1925
Born: Casterton, Victoria, Australia 1887; Died: 1935TonalismLedger Gift, 1988Urban landscape with view of partial house, trees and figures. Gold brushed wooden frame.Recto: Signed "C.Beckett" in red paint l.l.c of composition; Not dated; Not titledlandscape, house, figures, trees, australian art -
Benalla Art Gallery
Painting, Percy LINDSAY, The harbour at Athol, Not dated
Born: Creswick, Victoria, Australia 1870; Died: North Sydney, New South Wales, Australia 1952ImpressionismGift of Wooleen Pty. Ltd., 1980Bush and urban landscape with figures, trees and water. Gold brushed and painted timber frame.Recto: Signed "Percy Lindsay" in red oil in l.l.c of composition; Not dated; Not titledpainting, seascape, landscape, figures, trees, buildings, women, child -
Benalla Art Gallery
Watercolour, Arthur STREETON, The Imperial Institute, Kensington, London, c. 1900
Born: Mount Duneed, Victoria, Australia 1867; Lived and workd: England 1897-1919; Died: Olinda, Victoria, Australia 1943EdwardianGift of Mrs E.E. Ledger, 1982Sunny urban landscape with impressive building with large towers facing a street with figures and trees.Thin gold brushed timber frame.Recto: Signed "Arthur Streeton." in brown watercolour in l.l.c of composition; Not dated; Not titledwatercolour, building, sky, figures, trees, tower -
Bendigo Art Gallery
Work on paper, Michael DOWNS, Urban Winter, 1990
l.r; DOWNS 90abstract, city, australian artist, collage, urban, winter, season, pathway, house -
Nillumbik Shire Council
Painting: Kevin CHIN, Kevin Chin, Castle Under the Sky, 2018
This painting was sparked by a US studio residency at Yellowstone National Park, shortly after Trump’s election. In America, Chin witnessed conservative nationalism and divisiveness, but also an equal reaction promoting diversity and challenging structural inequality. Developing this work in Australia, Chin examined how a sense of place forms fluidly in the consciousness, to surpass geographic borderlines.Kevin Chin is a local artist. He has been a finalist in the Nillumbik Prize for Contemporary Art (2015, 2019). In this painting Chin explores economic, cultural and social structures that shape the world in which we live, questioning who has built what, who takes ownership, and who has the right to the land. Landscape painting depicting a house (upside down) and a half finished urban structure sitting amongst mountain peaks and land that has been cleared and immersed in fog/smoke.N/Alandscape, kevin, chin, structural, inequality, castle, trump, painting, nillumbik, residency, yellowstone, realism, oils -
Nillumbik Shire Council
Print (etching): Dean BOWEN, The Offering, 1997
Dean Bowen is renowned for his charming, child-like aesthetic and unique thematic interplay between the urban and rural as well as humans and animals. Bowen has developed a distinctive and humorous symbolic language that filters through each work. His highly charismatic and whimsical renderings of animals, human characters and Australian environments celebrate the vicissitudes of life, evincing the simple pleasures of human habitation within the artificial and the natural world. The work and thoughts of Jean Dubuffet, particularly those which focus on the philosophy of 'Art Brut', give support to Dean's belief that untrained artists are more honest, that artists interested in emulating the art of children are trying to regain the pure expression they lost with childhood. 'The Offering' was a finalist in the Nillumbik Art Awards in 1997. The work refers to the act of giving back, rather than taking which Bowen sees as more prevalent in our Western society. While the image is childlike, the expression of the boy is a mixture of sadness and happiness, knowing and naivety, youth and age. The smile has a Mona Lisa quality and the earthy and sensuous colours suggest landscape. When realising the images he relies on memory rather than observation so that the struggle with drawing and representation sometimes doesn't work. The style of the drawing and the flat space relates to the graphic style of cartoons and caricature. The intuitive and the imaginative are essential elements in his work. lower right 'Dean Bowen '97' -
Nillumbik Shire Council
Public Art: Edward GINGER (b.1951 Kegalle, Sri Lanka - arrived 1975 Aus), Edward Ginger, The Breeze, Location: Main Road, Research - opposite Eltham Little Theatre, 1990
The first sculpture awarded the Shire of Eltham 'Art in Public Places' Award/Commission. The Judges were Inge King, Jenny Zimmer and Daryl Jackson. The work deals with the juxtaposition of suburban and rural surroundings. This scupture is a typical example of the artist's oevre of the period. This sculptre is site specific and refers to the nature of the environment. The colour - bushfire red / sienna - alludes to the history of fire in the urban/rural fringe and the title, as well as the sculpture's shapes, forms and material refer to the natural and local elements. Judges report noted: "The most vital and expressive work for the site...with a great sense of dynamic movement and vibrant colour. Its' abstract forms will enliven the surroundings and the urban and natural environment. This work is the most appropriate for the site and expressive of the dynamics of an evolving community in which artistic discourse and debate has always thrived." The work has acquired the status of a major landmark from the National Trust. The Breeze is an abstract work made out of welded steel and painted in enamel in bush fire red / sienna. It comprises a series of flat, cut-out shapes, interlocking at different angles, giving the impression of being hinged together rather than fixed. The work references nature and the built environment. Its geometric shapes suggest man-made structures within industry and suburban life, while rural areas can be identified by the organic flame-like shapes fanned by the wind. The circular cut-out in the eye mimics the sun, symbolising the intense heat of the Australian climate, while the colour red alludes to the history of bushfire within the urban and rural fringe. N/Apublic art, ginger, red, sienna, elements, steel, abstract, breeze, fire, sculpture -
Nillumbik Shire Council
Painting: Jodi WILEY, Afternoon Light, 2014
N/AJodi Wiley is a local artist who works in acrylic to create detailed images of trees found in urban and suburban environments. “Trees are ordinary features of our everyday landscape. And yet when the light hits them at certain times of the day, the colours and textures that are illuminated can make us gasp in awe if we are truly paying attention". 'Afternoon Light' was highly commended in the 2015 Nillumbik Prize, judged by Melinda Martin, Director of Linden New Art, Melbourne.Detailed, cropped view of a tree trunk, warm earth colours and tonesWhite, hand painted 'J' in bottom right cornerwiley, acrylic, art, painting, trees, landscape -
Nillumbik Shire Council
Reinis ZUSTERS (b.1918 Ukraine, arr.1950 Aus - d.1999 NSW Aus), Sunday Morning Montsalvat, 1979
Reinis Zusters OAM was born 15 October 1918 in Odessa, Ukraine, of Latvian parents. Zusters’ father died before he was two years old and he was raised in an orphanage from an early age. He had one sister. He studied Art at the Riga Technical College, Latvia, from 1935 to 1940. He married Aldija Kapteinis, and they had a daughter, Rudite (born 1942 in Riga). After World War II the Zusters family were refugees. They reached Western Australia in 1950, where they stayed for 6 months before moving to Canberra, ACT. In 1952, Zusters moved from Canberra to Pennant Hills in Sydney with his second wife, Arija Biks. Their daughter Laura was born in Sydney in 1956. In 1966, Zusters met his future third wife, Venita Salnajs. In 1969, Zusters bought a house in Greenwich, Sydney. He married Venita on September 17, 1976, and they moved to Wentworth Falls in the Blue Mountains. Zusters died on 8 October, 1999 at Wentworth Falls, and was cremated at Rookwood Crematorium, Sydney. His ashes are buried in the Latvian section of Rookwood Cemetery. Zusters studied at the Technical College of Riga (Latvia), and at East Sydney Technical College, Australia. He was influenced by his Latvian cultural heritage, and admired the artist Voldemars Tone (1892-1958). Shortly after arrival in Australia, Zusters became a draughtsman with the Department of Works and Housing in Canberra. Later he was appointed chief designer with the Australian-American architectural firm Austin-Anderson, at St. Leonards, Sydney. Zusters practised as a full-time professional artist from 1968. Zusters was a prolific painter, predominantly in oils. He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. His cityscapes featured a rich paint surface and sharp-edged thickness of paint applied with a palette knife, layer upon layer. He painted urban scenes of Sydney, inland Australian scenes, and several major portraits including Sir Winston Churchill’s gardener (purchased by Art Gallery of NSW). He made many small informal portrait-drawings of friends. His usual signature was “Zusters”. His work is represented in numerous public and private collections in Australia and abroad. He won numerous prestigious awards in Australia, Japan and USA and was honoured with the Order of Australia Medal in 1994. -
Victorian Aboriginal Corporation for Languages
DVD, Michelle Mahrer, Urban clan : a portrait of the Page brothers and the Bangarra Dance Theatre, 1998
A documentary portrait of three brothers who together formed the creative core of the Bangarra Dance Theatre. The essence of the Page brothers' story captures an Aboriginal 'dreaming' of three spirits, a storyteller, a song man and a dancer, who through their collective art, build bridges within their own culture and between Aboriginal and non-Aboriginal people.DVDnunukul, munaldjali, yugambeh, south east queensland, stephen page, david page, russell page, bangarra dance theatre -
Robin Boyd Foundation
Journal, Peter Bellew, Art in Australia, Jun, Jul, Aug 1942
Includes 2 articles by Walter Bunning - "Aesthetics and War" p.71, "Rachel Forster Hospital" p.85. Walter Bunning was a prominent Australian architect and urban planner - a contemporary of Robin Boyd.walter bunning, rachel forster hospital, world war 2, walsh st library -
City of Ballarat
Artwork, other - Public Artwork, Home by Chris Mether, 2014
Home is a collection of birdhouses on floating islands using the iconic form of the human house - a pitched roof, square walls, windows and doors. This minimal form is often drawn by children; a dolls house, a cubby house, a letter-box or a chook house. Home creates a safe refuge for birds with the plants acting as a water filtration system. The exposed roots draw out pollutants, such as nitrogen, phosphorous and toxic metals, which have entered the waterway through urban run-off. The result is a beautiful sculptural experience and a healthier water system for all to enjoy. The artwork was funded by The City of Ballarat and The Victorian State Government.The work is of aesthetic significance to the people of BallaratHome is a collection of birdhouses on floating islands home, chris mether, studio mether, public art, ballarat, delecombe, wetlands -
City of Ballarat
Artwork, other - Public Artwork, Bridget Hellier, Outrospective by Bridget Hellier, 2012
This whimsical sculpture high on the wall in a narrow lane uses woven wire patterns to lift the view beyond and to the sky. The artwork is of aesthetic significance to the people of BallaratWire sculpture attached to wallOUTROSPECTIVE/ Artist: Bridget Hellier/ This work is inspired by it's setting. Walking through a shopping mall it is easy to become immersed in consumerism and material things. I have tried to create a link between the urban and the natural world. Walking through the area I couldn't find many references to nature. The organic shapes that "grow" out of the wall to attempt to serve as a reference - reminding us of what once was./ Officially opened by Cr Des Hudson 7 December 2011./ Commissioned by the Public Art Advisory Committee on behalf of the City of Ballarat./ City of Ballarat logooutrospective, bridget hellier -
Federation University Art Collection
Work on paper - Printmaking - Relief Print, Starling, Anne, 'Innerwest' by Anne Starling, 2003
"In my woodblock print I have focused on the architectrure, streetscape and layout of the city. I am itrigued with teh organisation of cities and in teh creation of my own image. In this work I have almalgamated site drawings of buildings, streets and various structures to create a fish eye viewof the inner west of Sydney. By creating such a cityscape I form an historical document and record of the specific place."Anne STARLING (1967 - ) Born Sydney, New South Wales A graduate of the City Art Institute/UNSW College of Fine Arts, Anne Starling completed a Master of Art in 1994 and Master of Fine Arts by Research in 2012. Human interaction with the urban and industrial landscape is central to the work of Anne Starling. She focuses on the neglect that has occurred due to misuse and exploitation by industrial manufacturers, and the social and ecological structures of areas surrounding of Rhodes in Sydney, Fremantle in Western Australia and Port Kembla in New South Wales.Through relief and drypoint prints she examine changes that occur in this environment, presenting a commentary on the degradation and pollution of land by industry and the surrounding urban landscape. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white relief print (woodblock) representing a collage of various Sydney architecture. art, artwork, anne starling, printmaking, woodblock, print council of australia, sydney, architecture, bridge, cityscape -
Federation University Art Collection
Work on paper, Phillip Davey, The Bolter, 1975
Philip DAVEY (1949- ) Born Devon, United Kingdom Arrived Australia 1958 The broad artistic practice of Philip Davey incorporates images of urban and natural landscape, as well as figurative narrative works, often inspired by classic Australian texts. He has been artist in residence at several Victorian secondary institutions. Framed etching of a man in convict uniform surrounded by three thylacines.available, thylacene, convict -
Federation University Art Collection
Drawing, Bradley, Tobias, 'Urban Saint' by Tobias Bradley, 2000 c
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, drawing, student art show, alumni -
Federation University Historical Collection
Book, Waterfront Spectacular: Creating Melbourne Docklands - the people's waterfront, 2005
Large hard covered book of 312 pages. The book explores the key playerrs in the development of Docklands.docklands, vicurban, waterfront, melbourne, architecture, engineering, town planning, marvellous melbourne, yarra river, spencer street station, southern cross station, timeline, urban renewal, port of melbourne, art, sculpture -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Resurrection of Christ. Altarpiece, Charles Rocco (2002); Our Lady Help of Christian's Church, Henry Street, Eltham, 11 October 2006
This alterpiece by Charles Rocco was created with wire mesh, river stones and copper. 500 x 200 x 150cm. It was commissioned by the Catholic parish in Eltham (Our Lady Help of Christian's) in 2002 Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p81This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art, our lady help of christian’s church, charles rocco, eltham, resurrection of christ, sculpture -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Arts & Culture in Banyule, Darebin, Manningham, Nillumbik & Whittlesea; Vol. 4, No. 5, Sep-Oct 1999, 1999
Vol. 4, No. 5, Sep-Oct 1999 CONTENTS SINGING IN THE MILLENIUM Celebrating the end of an era 3 SAVAGE BEAUTY The art of Bruce Armstrong 5 POETRY by Lachlan Rosse 7 ART IN PUBLIC PLACES A bus tour of the sites 8 REPRESENTING THE DECADE A look at the Nillumbik Collection 11 THEATRE REVIEW Victoria Edgar 14 NEL TEN WOLDE Her travels, her art 16 OBITUARY: LESLEY SINCLAIR Sigmund Jorgensen 18 BANYULE YOUTH ART AWARDS 20 DAREBIN/LA TROBE ART PRIZE 22 WISH YOU WERE HERE New Arts Foundation 24 CD REVIEWS 25 JEWELS IN YOUR BACKYARD Exploring the urban bushland 27 ARTIN' ABOUT 29 WINING & DINING 30 THE COMING OF SAVOY Light Opera in Darebin 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, singing, melanie shanahan, jean-paul wabotai, jospeh giodana, gorani, bruce armstrong, museum of modern art at heide, lachlan rose, st andrews hotel, public art, montsalvat, carlucci's, dymocks booksellers, chris marks, nillumbik art award, dynamic vegies, plenty views golf park, alice's bookshop, alan marshall short story award, victoria edgar, bulleen art & garden centre, michael johnson, nel ten wolde, lovegroves of cottles bridge, sigmund jorgensen, lesley sinclair, artspeak studio gallery, banyule youth art awards, darebin la trobe art prize, artists 2000 foundation, adams of north riding, skeeter camera, daniel chabel, willy wonka's ice cream gourmet food, old bakery cottage bookshop, amberley, bruce hughes, jonathan brooke-densem, kelly auty, brett wood, jonathan flack, savoy opera company, maranoa gardens & beckett park spring festival, volumes -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Banyule, Darebin, Manningham, Nillumbik, Whittlesea & Yarra; Vol. 7, No. 4, Sep-Oct 2002, 2002
Vol. 7, No. 4, Sep-Oct 2002 CONTENTS Comment 2 War Heroes: the blood and the glory 3 Geoff Todd tells it all in paint John Patrick on trees and environmental survival 8 Pam Dougherty Short Story: Treading water 10 David Fettling Rivers of Life: Paintings by Kerry Kaskamanidis 13 Jill Orr: performance artist 14 John Jenkins Making Art with Liz Nettleton 16 Book review: Contemporary Aboriginal Art 18 Susan McCulloch Poetry News and Reviews 20 John Jenkins CD Reviews 22 Geoff Achison, Mirth, King Kadu On Various Bards 24 John di Mase Artin'about 27 Wining and Dining 30 Poetry by Ian McBryde 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, aboriginal reconciliation, bundoora homestead, jacqueline healy, willy wonka's ice cream gourmet food, melbourne rudolf steiner school, eltham fullife pharmacy, montsalvat, trees, landscape degeneration, urban development, david fettling, dynamic vegies, nillumbik artists' open studios, kerry kaskamanidis, jill orr, john jenkins, thompson's pharmacy, liz nettleton, st andrews hotel, hurstbridge nursery, chris pittard, mary-lou pittard, eltham wiregrass gallery, john di mase, eltham warrandyte pottery open studio, ian mcbryde, bulleen art & garden centre -
Women's Art Register
Book, Jennifer Isaacs, Aboriginality. Contemporary Aboriginal Paintings & Prints, N/A
Overview of traditional and urban imagery with each chapter describing the creative philosophies and inspirations behind each artists' works including the spiritual and political. practiceBooknon-fictionOverview of traditional and urban imagery with each chapter describing the creative philosophies and inspirations behind each artists' works including the spiritual and political. practicefiona foley, gorden bennett, ellen jose, heather walker, raymond meeks -
Eltham District Historical Society Inc
Folder, Bohemia on the urban fringe: Eltham 1930s-1950s by Heath Paynter, 2001
A thesis completed for the Bachelor of Arts (Honours) degree, Monash University, 2001. Includes references to Montsalvat and detailed bibiography56 pagesHG Booklet 23alistair knox, art, bohemia, dunmoochin, gordon ford, harry gilham collection, justus jorgensen, max meldrum, montsalvat